Guillermo del Toro is on a mission to revive the enchanting world of stop-motion animation, and he’s doing it in collaboration with Netflix. Recently announced, this exciting partnership, which also includes the renowned Paris art school Gobelins, aims to create a specialized training facility dedicated to nurturing aspiring stop-motion enthusiasts.
Del Toro has been a longstanding advocate for this unique art form. He made headlines with his critically acclaimed feature film ‘Pinocchio’ in 2022, marking his first venture into stop-motion. Yet, he recognizes that this delicate art form requires ongoing support. At a press conference introducing this initiative, he pointed out, “The icons of stop-motion are predominantly over 50 years old… The medium constantly teeters on the edge of disappearance. It survives through the passion of a dedicated few. It’s almost like a niche community filled with devoted practitioners.”
However, when considering the role of Ted Sarandos in this conversation, it’s impossible to ignore the implications of artificial intelligence (AI). Sarandos has been a strong advocate for the potential of AI, claiming it benefits creators by reducing production costs, while simultaneously enhancing their creative processes.
In stark contrast, del Toro holds a skeptical view on AI in filmmaking. So how do these two seemingly opposing perspectives converge in their shared goal of preserving stop-motion animation? Del Toro asserts, “In a time when AI could influence virtually every other animation style, stop-motion remains resistant to AI encroachment.” While this assertion raises eyebrows, especially given the fast-paced integration of AI in numerous creative fields, Sarandos presents a more nuanced stance. He explained to Variety, “AI should serve as a tool for creators, not a standalone creative force... The notion that AI can surpass human imagination seems highly improbable. It’s fundamentally contrary to its design... I don’t worry excessively about it supplanting human creativity.”
Sarandos’ position might invite skepticism, and I've voiced my opinions on his views multiple times, but his genuine collaboration with del Toro to bolster the future of stop-motion animation speaks volumes. With the financial support this partnership brings, there’s hope that a new generation of stop-motion directors will emerge, potentially revolutionizing the animation landscape once again.
